Artwork

Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers)

Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers), by Charles Meryon, ink, 1861
Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers), by Charles Meryon, ink, 1861

Evariste Boulay-Paty; A Poet (From a Bronze by David d'Angers) is an ink print by the Impressionist artist Charles Meryon. It dates from 1861 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created in 1861, this work is an etching on laid paper by French printmaker Charles Meryon. It presents a monochrome portrait of the poet Évariste Boulay‑Paty, derived from a bronze relief originally executed by sculptor David d’Angers.

Subject & Meaning

The image captures Boulay‑Paty in profile, his curly hair and high‑collared attire rendered with delicate line work. The inclusion of the poet’s name beneath the oval frame identifies the sitter and underscores the work’s function as a commemorative portrait.

Technique & Style

Meryon employed traditional etching: a metal plate was coated with a wax ground, incised with fine lines, then exposed to acid to bite the design. The resulting inked lines on the laid paper convey subtle tonal variation and a texture reminiscent of woven fabric along the frame’s edge.

History & Provenance

Meryon, noted for his mastery of etching despite his colour‑blindness, produced this print as a reproduction of David d’Angers’s bronze. The piece reflects the 19th‑century practice of translating sculptural portraiture into print form for broader dissemination.

Context

During the mid‑1800s, French artists frequently collaborated across media, with sculptors like d’Angers providing source material for printmakers. Meryon’s choice to depict Boulay‑Paty aligns with contemporary interest in honoring literary figures through visual arts.

Artist & collection

Portrait of Charles Meryon

Artist

Charles Meryon

Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.