Studies of Angels (recto); Panthea before Cyrus? (verso)
1658
From the collection of Cleveland Museum of Art
1658
From the collection of Cleveland Museum of Art
Studies of Angels (recto); Panthea before Cyrus? (verso) is a 1658 by Michel Dorigny, a Baroque work, held at Cleveland Museum of Art.
You see a drawing of angels and possibly a scene with a woman. The drawing has a light and airy feel, with lines that suggest movement. It's interesting that this work was once thought to be by another artist, Simon Vouet, because of the similar style. Check out the work of artist Michel Dorigny (French, 1617–1665) for more like this.
Dorigny was the collaborator and son-in-law of Simon Vouet, the leading painter working in Paris in the mid-1600s. Their drawing styles are similar, and this sheet was once attributed to Vouet. However, the airy, floating drapery, firm contour lines, and regular parallel hatching lines are all typical of Dorigny's technique in black chalk. Although we do not know of a painting to which this drawing relates, the flying angels indicate that Dorigny had a religious subject in mind when he drew them.
Read the full account in the museum source.
A French painter and engraver from the mid-1600s, he turned biblical and mythological scenes into dramatic, candlelit dramas.
See the richer artist page