Study for an Allegory of Painting

Study for an Allegory of Painting

Etienne Parrocel

1750

chalk

From the collection of National Gallery of Art

About this work

This sketch shows a woman sitting sideways, her body turned slightly toward us. She’s barefoot, wearing a draped dress that clings loosely to her shoulders and arms. One hand rests on her knee, the other holds a brush or tool. The lines are quick and sketchy, with some areas left lighter, like her face and the folds of her dress. The paper looks old, with faint creases and a yellowed edge—this was likely a quick study, not a finished piece. The artist focused on the shape of her body and the way her clothes fall, not details like her face. Next, look up Baroque to see how this sketch fits into that dramatic, movement-filled style.

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