Artwork
Paysage au soleil couchant. Le Cannet

Paysage au soleil couchant. Le Cannet is an oil painting by the Les Nabis artist Pierre Bonnard. It dates from 1927 and is held in the collection of the Kunsthaus Zürich. Created in 1927, "Paysage au soleil couchant.
About this work
Overview
Created in 1927, "Paysage au soleil couchant. Le Cannet" is an oil on canvas by French painter Pierre Bonnard. The work measures a modest size and is part of the permanent collection of the Kunsthaus Zürich, where it is displayed among other early‑20th‑century French paintings.
Subject & Meaning
The composition presents a quiet outdoor scene: a few trees stand on a gently rolling hillside, while a solitary figure sits on the grass, observing the landscape. The muted palette of greens, browns and grays, together with a cloudy sky, conveys a subdued, contemplative atmosphere rather than a dramatic sunset.
Technique & Style
Bonnard employs soft, feathery brushwork for the foliage and distant hills, allowing light and shadow to suggest depth without sharp outlines. In contrast, the seated figure is rendered with more decisive, defined strokes, creating a subtle visual hierarchy that draws the eye to the human presence within the natural setting.
History & Provenance
After its completion, the painting entered private collections before being acquired by the Kunsthaus Zürich, where it has remained since the mid‑20th century. The museum’s acquisition records indicate the work was purchased as part of a broader effort to represent Bonnard’s later landscape period.
Context
During the 1920s Bonnard turned increasingly toward outdoor scenes, exploring the interplay of light, atmosphere and everyday life. "Paysage au soleil couchant" reflects this phase, aligning with his broader interest in capturing fleeting moments in nature while maintaining a personal, intimate perspective.
Artist & collection
Artist
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color.


















