Artwork
Donor and His Wife

Donor and His Wife is an oil painting by the Dutch Golden Age artist Simon de Vos. It dates from 1649 and is held in the collection of the Royal Museum of Fine Arts Antwerp.
About this work
Subject & Meaning
As a genre painting focused on portraiture, the subject matter centers on these two individuals, presenting them in a formal composition.
The work is a portrait depicting a man and a woman, identified by the title as a donor and his wife. As a genre painting focused on portraiture, the subject matter centers on these two individuals, presenting them in a formal composition. The depiction of a donor and spouse typically implies a connection to religious or charitable patronage, though the specific iconographic details or symbolic attributes associated with their roles are not detailed in the available records.
The painting serves as a visual representation of the couple, likely intended to commemorate their status or their act of giving.
Technique & Style
Simon de Vos executed Donor and His Wife as an oil painting on a wooden panel support. The work measures 147 cm in height and 107 cm in width. As a portrait genre piece, the composition depicts a man and a woman, utilizing the traditional oil medium to render the figures. The painting is currently held in the collection of the Royal Museum of Fine Arts Antwerp.
History & Provenance
The painting Donor and His Wife by Simon de Vos is held in the collection of the Royal Museum of Fine Arts Antwerp. Located in Antwerp, the museum houses this oil-on-panel portrait, which measures 147 cm in height and 107 cm in width. The provided sources do not contain specific inventory or accession numbers for the work, nor do they list any exhibition history.
Overview
Created circa 1649, this oil painting presents a seated donor and his wife in a formal, devotional pose. Both figures stand side by side, hands clasped in prayer, the husband holding an open book while the wife clutches a string of beads. A smaller vignette of a woman with a child appears within an arched frame behind them, adding a narrative layer to the composition.
Context
The portrait emerges from the Dutch Golden Age, a time when affluent patrons commissioned works that combined personal likeness with devotional symbolism. In Flanders, the Baroque style emphasized opulent attire and dynamic composition, aligning with contemporary tastes for both status display and religious expression. De Vos’s shift toward such portraiture mirrors broader market demands among the mercantile and aristocratic classes.
Artist & collection
Artist
Simon de Vos (20 October 1603 – 15 October 1676) was a Flemish painter, draughtsman and art collector.


















