Artwork
Mt. Daochang

Mt. Daochang is an unspecified painting by Song Xu. It dates from 1594 and is held in the collection of the Cleveland Museum of Art. Mt.
About this work
Subject & Meaning
Its composition centers on the mountain, while the tree provides a complementary natural element, together forming the visual subject of the piece.
Mt. Daochang is a 1594 painting by Song Xu that portrays a mountain alongside a tree. The work, classified as a painting, was created in Jiaxing and later entered the collection of the Cleveland Museum of Art.
Its composition centers on the mountain, while the tree provides a complementary natural element, together forming the visual subject of the piece. The depiction reflects the artist’s engagement with landscape motifs characteristic of late Ming dynasty art.
History & Provenance
The painting Mt. Daochang was created in 1594 by the Chinese artist Song Xu, in Jiaxing. It currently resides in the collection of the Cleveland Museum of Art, where it is cataloged under the accession number 1998.78.13.
No further details regarding its commission or intermediate ownership history are provided in the available records. The painting, dated 1594 and classified as a painting, portrays a mountain and a tree. No exhibition records are cited in the sources for this artwork.
Overview
Mt. Daochang is a painting created by Song Xu in 1594. This work depicts a detailed mountainous landscape, characterized by its winding slopes and numerous architectural elements. It is currently part of the collection at The Cleveland Museum of Art, representing a notable example of late Ming dynasty landscape painting.
Technique & Style
Song Xu employed a meticulous approach in rendering Mt. Daochang, filling the composition with fine details. Each tree and architectural element, whether in the foreground or receding into the distance, is carefully delineated.
The palette is predominantly muted, featuring earthy browns and greens that define the landscape's texture. A subtle touch of blue in the sky provides a gentle contrast, contributing to the work's overall restrained aesthetic.
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