Artwork

東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi"

東洲斎写楽画  尾上松助の松下酒之進  『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi", by Tōshūsai Sharaku, ink, 1794
東洲斎写楽画  尾上松助の松下酒之進  『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi", by Tōshūsai Sharaku, ink, 1794

東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi" is an ink print by the Romanticist artist Tōshūsai Sharaku. It dates from 1794 and is held in the collection of the Metropolitan Museum of Art.

About this work

If you like this sharp, quick style, look up ukiyo-e, Japanese woodblock prints of everyday life and theater.

A man in a dark kimono glares sideways, his face half-lit, one eyebrow raised. The print is small, about the size of a postcard, but the expression feels huge.

Sharaku made these actor portraits for only ten months in 1794. No one knows why he stopped. The white mica background makes the ink pop like wet paint.

If you like this sharp, quick style, look up ukiyo-e, Japanese woodblock prints of everyday life and theater.

Overview

This woodblock print, created by Tōshūsai Sharaku in 1794, is a portrait of Onoe Matsusuke I as Matsushita Mikinojō in the play 'Katakiuchi noriyaibanashi'. The print is characterized by its bold expression and striking visual elements.

Subject & Meaning

The print depicts an actor in a dramatic pose, wearing a dark kimono and displaying a intense facial expression with a raised eyebrow and sideways glare. The image captures a moment from a theatrical performance.

Technique & Style

The use of white mica on the background creates a sense of depth and makes the ink colors appear vibrant. The overall style is typical of ukiyo-e, a genre of Japanese woodblock prints known for its bold and dynamic representations of everyday life and theater scenes.

History & Provenance

Sharaku's production of actor portraits was limited to a brief period of ten months in 1794, after which he ceased creating such works for unknown reasons.

八代目守田勘弥の鴬の次郎作|Kabuki Actor Morita Kan’ya VIII as the Palanquin-Bearer in the Play A Medley of Tales of Revenge (Katakiuchi noriaibanashi)
八代目守田勘弥の鴬の次郎作|Kabuki Actor Morita Kan’ya VIII as the Palanquin-Bearer in the Play A Medley of Tales of Revenge (Katakiuchi noriaibanashi), Tōshūsai Sharaku

Artist & collection

Frequently asked questions

Who painted 東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi"?

東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi" was painted by Tōshūsai Sharaku in 1794.

Where can I see 東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi"?

東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi" is held by Metropolitan Museum of Art.

What movement is 東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi"?

東洲斎写楽画 尾上松助の松下酒之進 『敵討乗合話』|Onoe Matsusuke I as Matsushita Mikinojō in the Play "Katakiuchi noriyaibanashi" is associated with Romanticism.