Artwork
The Symposium
The Symposium is an ink print by the Baroque artist Pietro Testa. It dates from 1648 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:center right in plate [on plaque]: Vina, dapes onerant / animos Sapientia / nurtit.; lower center in plate [on scroll]: Illustrissimo, atque Ornatiss. D.D. FABRITIO CELLESIO Equiti S. Stephani / In symposio do Amore disserentes, te Virtutis amantem, uocant Conuiuam. / Ars mea muta est; tuas recitabit laudes, Siue Socrates, siue Alcibiades. Vale. / T.D. additissimus Petrus Testa. 1648
About this work
Overview
The Symposium is an etching created by Pietro Testa in 1648. It is a representative work of Testa's printmaking skill and his involvement in the intellectual and artistic circles of Rome during the High Baroque period.
Subject & Meaning
The etching depicts a gathering of men in classical attire engaged in a discussion around a table. One figure stands, carrying a large object on his shoulder, while others gesture or lean forward, conveying an atmosphere of intellectual debate and curiosity.
Technique & Style
The work showcases Testa's technical proficiency in etching, with fine lines and detailed shading that create depth and texture. The intricate rendering of the scene reflects Testa's skill as a draftsman and printmaker.
Context
Testa was part of a circle of artists and scholars in Rome who were influenced by Classical ideals, associated with Cassiano dal Pozzo. The Symposium reflects his engagement with these intellectual and artistic currents.
Own this work as a print
Artist & collection
Artist
Pietro Testa (1612 – 1 March 1650) was an Italian High Baroque artist active in Rome.
