Artwork
諸國瀧廻リ 木曽路ノ奥 阿彌陀ヶ瀧|The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)

諸國瀧廻リ 木曽路ノ奥 阿彌陀ヶ瀧|The Amida Falls in the Far Reaches of the Kisokaidō Road (Kisoji no oku Amida-ga-taki), from the series A Tour of Waterfalls in Various Provinces (Shokoku taki meguri) is an ink print by the Japonisme artist Katsushika Hokusai. It dates from 1827 and is held in the collection of the Metropolitan Museum of Art.
About this work
Overview
Created around 1827, this woodblock print by Katsushika Hokusai depicts the Amida Falls situated deep within the historic Kisokaidō route. Executed with ink and color on paper, the image forms part of Hokusai’s series documenting waterfalls across Japan’s provinces. The work is currently in the collection of the Metropolitan Museum of Art.
Subject & Meaning
The composition centers on a powerful cascade plunging between warm‑toned cliffs, its turbulent waters rendered in deep blue. Below the falls, a narrow ledge supports two diminutive figures, emphasizing the scale of nature against human presence. The title’s reference to “Amida” invokes Buddhist connotations of salvation, suggesting a spiritual dimension to the natural spectacle.
Technique & Style
Hokusai employs brisk, sketch‑like lines to convey the motion of the water, while cross‑hatching adds texture to the rocky surfaces. The contrast between the vivid blues of the falls, the golden hues of the cliffs, and the dark green foliage creates a dynamic yet balanced visual rhythm, characteristic of his late ukiyo‑e landscape approach.
History & Provenance
The print belongs to the “Shokoku taki meguri” (A Tour of Waterfalls in Various Provinces) series, produced during the artist’s later period when he revisited natural subjects with refined vigor. After changing hands among private collectors, the piece entered the Metropolitan Museum of Art’s holdings, where it remains on display as part of the museum’s Japanese prints collection.
Context
In the early 19th century, travel along the Kisokaidō, a subsidiary of the Nakasendō, offered pilgrims and merchants access to remote mountain scenery. Hokusai’s depiction reflects contemporary interest in documenting Japan’s diverse landscapes, aligning with the broader ukiyo‑e tradition of combining travel literature with visual art.
Artist & collection
Artist
Katsushika Hokusai spent his life in Edo, now Tokyo, where he drew and carved prints for a living.


















