Artwork
Flügel eines Kreuzaltares, Außenseite: Die hll. Helena und Sebastian

Flügel eines Kreuzaltares, Außenseite: Die hll. Helena und Sebastian is an unspecified painting by Thoman Burgkmair. It dates from 1493 and is held in the collection of the Bavarian State Painting Collections.
About this work
Subject & Meaning
The inclusion of these figures aligns with the devotional purpose of such altarpieces, presenting holy intercessors for the faithful.
The panel depicts two specific Christian saints: Helena Augusta and Saint Sebastian. As a religious painting created by Thoman Burgkmair, the work functions as the outer wing of a cross altar. The inclusion of these figures aligns with the devotional purpose of such altarpieces, presenting holy intercessors for the faithful. The visual narrative focuses entirely on the representation of these two individuals within a sacred context.
History & Provenance
The painting is housed in the Bavarian State Painting Collections at the Alte Pinakothek in Munich.
The work bears inventory number 2180.
It was part of the exhibition "German Paintings from the 15th and 16th Century" at the Kunstareal Munich in 2019.
Context
Thoman Burgkmair's wing panel depicting Saints Helena and Sebastian formed part of a larger altarpiece, reflecting the devotional emphasis on saintly intercession within late medieval religious painting. Its presence in the Bavarian State Painting Collections at the Alte Pinakothek situates it within a curated narrative of German Renaissance art, where Burgkmair's work is studied alongside contemporaries for its blend of Netherlandish influence and Augsburg workshop traditions. Scholarship highlights the panel's role in illustrating contemporary understandings of pilgrimage and martyrdom, while its stylistic analysis contributes to broader assessments of transitional aesthetics between Gothic and Renaissance visual languages.
Overview
This painting, created around 1493 by Thoman Burgkmair, is a religious work depicting two female figures. It is a panel from a larger altarpiece and is now held at the Alte Pinakothek.
Technique & Style
The work is characterized by its detailed rendering of the figures' clothing and the intricate background, showcasing the artist's skill in capturing texture and ornamentation. The use of halos and the depiction of the figures in a grand setting underscore the religious nature of the painting.
Artist & collection










