Artwork
Landscape after Ruisdael

Landscape after Ruisdael is an oil painting by the Hudson River School artist Thomas Doughty. It dates from 1846 and is held in the collection of the Brooklyn Museum.
About this work
Subject & Meaning
These elements combine natural topography with architectural detail, creating a composite scene that merges the earthly and the constructed.
The painting presents a sweeping landscape that includes sky, clouds, a river, a tree, a hill, a mountain, ruins, a man with a dog and horse, an equestrian figure, a bridge, an arch, a church building, and a windmill. These elements combine natural topography with architectural detail, creating a composite scene that merges the earthly and the constructed. Executed in oil on canvas in 1846, the work is classified as a landscape created after the style of Jacob Ruisdael, reflecting the tradition of detailed atmospheric rendering. The composition is held by the Brooklyn Museum.
Technique & Style
Created in 1846, this landscape is executed in oil paint on a canvas support. The work measures 81.4 cm in height and 99.9 cm in width. Stylistically, the composition functions as an interpretation of Jacob van Ruisdael's The Ray of Light, incorporating a detailed natural setting that features skies, clouds, rivers, trees, hills, and mountains.
The scene is populated with architectural elements such as ruins, bridges, arches, church buildings, and windmills, alongside figures of men, dogs, horses, and equestrians.
History & Provenance
Thomas Doughty created the oil painting Landscape after Ruisdael in 1846, based on the composition of Jacob van Ruisdael's The Ray of Light. Executed on canvas and measuring 81.4 cm in height and 99.9 cm in width, the painting entered the collection of the Brooklyn Museum, where it remains held.
Overview
Thomas Doughty's 1846 oil painting, "Landscape after Ruisdael," presents a serene rural vista. This work, executed in oil paint, captures a tranquil countryside with natural and architectural elements. The painting is part of the collection at the Brooklyn Museum, offering a glimpse into Doughty's approach to landscape art during the mid-19th century.
Context
The title "Landscape after Ruisdael" indicates Doughty's engagement with the tradition of Dutch Golden Age landscape painting, particularly referencing Jacob van Ruisdael. This suggests Doughty's study and reinterpretation of earlier masters, a common practice among artists seeking to learn from and build upon established artistic conventions. His work reflects an appreciation for the dramatic and evocative qualities found in Ruisdael's compositions.
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Artist & collection
Artist
Thomas Doughty was an American artist associated with the Hudson River School.


















