Ulcior prevăzut cu toartă cu țîtă, baza nesmălțuită; fond maro închis. Decorul amplasat în partea mediană, pe pîntec este realizat prin jirăvire, reprezintă semicercuri dispuse circular colorate în galben și cărămiziu. La baza gîtului este amplasat cu cerc de culoare albă. Toarta prinsă de pîntec și jumătatea gîtului este decorată cu linii oblice, paralele, de culoare albă; țîta vasului vopsită în verde.

Decorative elements were created by incising lines into the clay surface before firing, a method requiring controlled handwork. White pigment outlines the neck and base, while yellow and red fill the semicircular motifs. The unglazed base and green-spout contrast with the matte body, indicating deliberate material choices and a focus on tactile texture over surface gloss.

Though exact origin is unconfirmed, the vessel’s form and decoration align with Neolithic or early Bronze Age pottery from Southeastern Europe or the Balkans. Similar artifacts have been found in settlements along the Danube, where incised geometric patterns were standard in domestic or ceremonial wares during the 5th to 3rd millennia BCE.

This vessel belongs to a broader tradition of prehistoric ceramics where decoration served both aesthetic and cultural functions. Its lack of glaze and reliance on incised patterns distinguish it from later, more refined wares, placing it within early communal pottery practices where utility and symbolic expression were closely linked.

The vessel exemplifies early human engagement with form and pattern, demonstrating how functional objects carried cultural meaning through minimal visual language. Its preservation allows modern study of prehistoric craftsmanship, offering insight into the visual systems of societies that left no written records.