Artwork
Portrait of a Woman Wearing a Miniature

Portrait of a Woman Wearing a Miniature is an unspecified painting. It dates from 1790 and is held in the collection of the Cleveland Museum of Art. This painting depicts a woman adorned in a white gown and a string of pearls.
About this work
History & Provenance
Portrait of a Woman Wearing a Miniature is part of the Cleveland Museum of Art's collection, listed under accession number 2012.
Created in 1780, this portrait miniature is attributed to the British artist Thomas Hazlehurst. The work, identified by the accession number 2012.57.2, entered the collection of the Cleveland Museum of Art, where it remains housed. While the specific circumstances of its commission and the identity of the sitter are not detailed in the available records, the piece is classified as a miniature portrait dating from the late eighteenth century.
Portrait of a Woman Wearing a Miniature is part of the Cleveland Museum of Art's collection, listed under accession number 2012.57.2. The work, dating to 1780, is catalogued as a painting and a portrait miniature. It is housed in the museum's premises in Cleveland, Ohio.
No exhibition records are mentioned in the consulted sources, indicating that the piece has not been publicly displayed in the documented exhibitions referenced within the period covered by the sources.
Overview
This painting depicts a woman adorned in a white gown and a string of pearls. Her curly hair frames a face that meets the viewer's gaze directly. A notable feature is the small portrait miniature suspended from her neck, which offers a glimpse into her personal connections. The figure is set against a subtly divided background of light blue and brown tones.
Subject & Meaning
The miniature portrait worn by the sitter serves as a significant narrative element within the composition. This small, intimate depiction of another individual suggests a close relationship, perhaps a loved one or a cherished memory. Its presence enriches the woman's portrayal, hinting at her emotional world and social ties beyond the immediate frame of the canvas.
Technique & Style
The artist employed chiaroscuro, a technique characterized by strong contrasts between light and dark, to sculpt the forms within the portrait. This dramatic lighting creates a profound sense of depth and volume, particularly evident in the rendering of the woman's face. The interplay of shadow and illumination effectively guides the viewer's attention to her features, enhancing the painting's visual impact.
Artist & collection










