Artwork
Portrait of Priest Dazhi (1048–1116), Master of Law
Portrait of Priest Dazhi (1048–1116), Master of Law is an unspecified painting. It dates from 1112 and is held in the collection of the Cleveland Museum of Art. This painted depiction presents Priest Dazhi, a revered Master of Law who lived from 1048 to 1116.
About this work
Subject & Meaning
The work portrays Priest Dazhi, identified as a Master of Law, and is dated to 1112. As a portrait, its primary aim is to capture the sitter’s likeness and convey his standing as a learned cleric. The painting’s meaning lies in commemorating his religious and legal authority, presenting him as a figure of reverence within his tradition.
History & Provenance
It entered the collection of the Cleveland Museum of Art, where it has been housed since at least the early 1970s, as indicated by its accession number 1974.
Portrait of Priest Dazhi (1048–1116), Master of Law is a painting dated 1112, created as a portrait of the historical priest. The work is classified as a portrait and was produced in the early 12th century. It entered the collection of the Cleveland Museum of Art, where it has been housed since at least the early 1970s, as indicated by its accession number 1974.29 and an inception date of 1112‑01‑01.
The painting is attributed to an unknown artist in the museum’s records. No documentation of its original commission or subsequent ownership before museum acquisition is provided in the sources.
The Portrait of Priest Dazhi (1048–1116), Master of Law is held in the collection of the Cleveland Museum of Art. Within that institution's holdings it is catalogued as accession number 1974.29, a designation consistent with its acquisition by the museum in 1974. No exhibition history beyond its presence in the Cleveland Museum of Art's collection is documented in the available sources.
Overview
This painted depiction presents Priest Dazhi, a revered Master of Law who lived from 1048 to 1116. The artwork portrays him standing within an uncluttered setting, clad in traditional Chinese vestments. He holds a staff and a small item, conveying an impression of profound introspection and quiet dignity. The composition emphasizes his spiritual authority and contemplative nature.
Technique & Style
The artist employs a restrained palette, focusing on the dark, subtly patterned fabric of Dazhi's traditional Chinese robes. These garments contrast with the warm, beige background, which exhibits a delicate texture indicative of a silk support. This minimalist approach to composition and color emphasizes the figure, allowing the viewer's attention to remain on Dazhi's presence and the contemplative mood rather than elaborate detail.
Artist & collection
