Artwork

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night, unspecified, 1560
The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night, unspecified, 1560

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

The painting is held in the collection of the Cleveland Museum of Art, where it is recorded under the inventory number 1962.279.100.b. Produced in 1560 within the Mughal Empire, the work entered the museum's holdings and has remained there as part of its collection of South Asian painting. No exhibition history is documented in the available sources.

Context

The piece contributes to understanding the stylistic synthesis that defined courtly art in 16th-century India.

The painting titled The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night was created in 1560 in the Mughal Empire and is housed in the Cleveland Museum of Art. It is attributed to an unknown artist and forms part of the Tuti-nama manuscript tradition, reflecting the cross-cultural transmission of Persian narrative painting into Indian artistic production. Scholarly attention to the work emphasizes its role in illustrating how European narrative forms were adapted within Mughal visual culture, situating it within broader discussions of transregional artistic exchange.

Its reception has been shaped by both its technical execution and its narrative complexity, with recent research highlighting its significance in the study of early modern manuscript illumination. The piece contributes to understanding the stylistic synthesis that defined courtly art in 16th-century India.

Overview

The work depicts a small group gathered beneath a leafy canopy, featuring five women in vivid, patterned garments and a man in a pink shirt with white trousers. One woman in red extends her hand, another in blue holds a fan, while the male figure steadies a flowering branch. A low brick wall and dense foliage frame the scene, giving it the appearance of a narrative illustration.

Subject & Meaning

The composition illustrates a moment from the Persian literary collection known as the Tuti‑nama, specifically a scene titled “The merchant’s daughter meets the gardener” from the tale of Twelfth Night. The characters are engaged in a courteous encounter, suggesting themes of social interaction and courtship within the story’s broader moral framework.

Technique & Style

Rendered in a bright palette, the painting employs flat areas of color and intricate decorative patterns on the women’s attire, characteristic of manuscript illustration traditions. The figures are outlined with fine lines, and the background foliage is stylized rather than naturalistic, emphasizing narrative clarity over spatial realism.

The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night
The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night?

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night is held by Cleveland Museum of Art.

What movement is The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night?

The merchant’s daughter meets the gardener, from a Tuti-nama (Tales of a Parrot): Twelfth Night is associated with Mughal Painting.