The daughter of the merchant of Mazanderan asks the gardener for the rose, from a Tuti-nama (Tales of a Parrot): Twelfth Night

The work's legacy is anchored in its inclusion in the Cleveland Museum of Art collection, where it is catalogued as a 1560 Mughal painting attributed to an unknown artist. Its attribution to the Tuti-nama manuscript tradition has informed scholarly studies of Safavid artistic influence in the Mughal period, particularly regarding narrative cycles in Persian miniature painting. The piece remains accessible to the public through the museum's digital catalogue, preserving its role in the study of 16th-century Persianate artistic exchange.

The miniature illustrates a brief episode from the Persian collection Tuti‑nama (Tales of a Parrot). In the lower register a woman in a vivid red garment extends her hand toward a gardener who is gathering blossoms, while other female figures observe. The setting is a dimly lit garden populated by tall foliage and white flowers, suggesting an intimate, narrative moment.

The scene depicts the daughter of a Mazandaran merchant requesting a rose from a gardener, a motif drawn from the Twelfth Night episode of the Tuti‑nama. The interaction emphasizes themes of desire and courtship common in Persian fable literature, where a modest request for a flower can symbolize broader social or romantic negotiations.

Executed in the miniature tradition, the work employs delicate brushwork and a limited palette dominated by red, green, and white. The figures are rendered with stylized proportions and fine linear detailing, while the background foliage is suggested through washes and ornamental patterns, characteristic of Safavid‑era manuscript illumination.