The rejuvenated old man and the daughter of the king of the jinns take leave of the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night

The work depicts a lively rooftop encounter among four figures, rendered in vivid colors and intricate detailing. Central to the scene is an orange‑clad man seated on a raised platform, his hand joined with a blue‑dressed companion. Flanking them are two women, one in green and red, the other in yellow and green, positioned near a doorway.

The composition is framed by a striped wall, a palm tree, and bands of Arabic calligraphy along the top and bottom margins.

The orange figure, crowned and seated, is identified as the rejuvenated old man, while the blue figure represents the daughter of the king of the jinns. Their departure with the two women suggests a narrative moment of farewell to the King of Kings, drawn from the seventh night of the Persian “Tuti‑nama” (Tales of a Parrot). The scene captures a moment of transition and parting within a mythic storyline.

Executed in a flat, decorative manner, the painting employs bold, saturated pigments and stylized patterns typical of Persian miniature traditions. The use of linear perspective is minimal; instead, emphasis is placed on ornamental surfaces, intricate clothing folds, and the decorative arabesques that border the image. The composition balances narrative clarity with elaborate visual embellishment.