Artwork
The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art.
About this work
History & Provenance
Created in 1560 within the Mughal Empire, this painting illustrates the Eighth Night of the Tuti-nama (Tales of a Parrot).
Created in 1560 within the Mughal Empire, this painting illustrates the Eighth Night of the Tuti-nama (Tales of a Parrot). The work was produced by an unknown artist for a manuscript commissioned during the mid-sixteenth century. It is cataloged under the accession number 1962.279.69.b, indicating its acquisition by the Cleveland Museum of Art in 1962.
The piece depicts the narrative moment where a prince is returned to the execution site for the sixth time, serving as a specific folio from this larger literary cycle.
Context
The sixth return of the prince to his place of execution, depicted in the Eighth Night of the Tuti-nama, reflects a recurring narrative of imperial justice within Mughal manuscript painting, situating the work within the broader tradition of Persianate storytelling adapted to Indian court aesthetics. The miniature, attributed to an anonymous artist, dates to 1560 and was created in the Mughal Empire, a context that informs both its stylistic conventions and thematic preoccupations. Held in the Cleveland Museum of Art, the piece contributes to scholarly discussions on narrative cycles in 16th-century Indian painting, where visual repetition underscores moral and political themes.
Overview
The work, titled The prince sent back to the place of execution for the sixth time, from a Tuti‑nama (Tales of a Parrot): Eighth Night, is a miniature painting that arranges four narrative vignettes within a single frame. Each vignette depicts figures in vivid, patterned garments against a richly colored backdrop of deep blues, reds and gold, all bounded by ornamental borders.
Subject & Meaning
The scenes illustrate a sequence from the Persian literary collection Tuti‑nama, portraying a prince repeatedly returned to an execution site. The figures, an orange‑clad kneeling man urged forward, a green‑dressed man with a spear, and a white‑robed spectator, suggest moments of tension and authority within the story’s moral or didactic context.
Technique & Style
Executed in the traditional Persian miniature manner, the painting employs fine brushwork for intricate costume patterns and delicate facial features. The palette relies on saturated pigments, while the decorative borders frame the narrative panels, reflecting the courtly aesthetic of Safavid‑era manuscript illustration.
Artist & collection















