Artwork
Francesco Bartolozzi
Francesco Bartolozzi is an ink print by the Romanticist artist Thomas Watson. It dates from 1785 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:below image, lower left in plate: Sir Joshua Reynolds Pinxit; lower right in plate: T: Watson Fecit; lower center in plate: Published Sept. 24. 1785. by T Watson No 33. Strand London.; lower center in graphite: Bartolozzi Proof; lower left verso in graphite: proof / T N 15; lower right verso in graphite: 76
About this work
Overview
This mezzotint print, created in 1785 by Thomas Watson, portrays Francesco Bartolozzi in a detailed, black-and-white format. The subject is depicted in a fur-lined coat with his hair pulled back, holding a folded paper, set against a plain background that emphasizes his facial expression and attire.
Subject & Meaning
The print's subject, Francesco Bartolozzi, is represented in a manner that highlights his dignified presence through the choice of attire (a fur-lined coat) and the subtle detail of holding a folded paper, potentially alluding to his professional or intellectual pursuits.
Technique & Style
Executed using the mezzotint technique, this print leverages the method's capability for smooth shading through tiny scratches on the plate. This approach was particularly favored in the 18th century for capturing nuanced portraits.
History & Provenance
Created in 1785 by Thomas Watson, specific details regarding the print's ownership history or exhibition record are not provided in the available information.
Context
Produced during the late 18th century, this mezzotint reflects the period's preference for detailed, high-contrast portraits. The use of mezzotint aligns with contemporary printmaking trends that valued subtle, expressive shading.
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