Who painted Self-Portrait with Country Folk from Appenzell?

Self-Portrait with Country Folk from Appenzell was painted by Tiberius Dominikus Wocher in 1798.

Where can I see Self-Portrait with Country Folk from Appenzell?

Self-Portrait with Country Folk from Appenzell is held by National Gallery of Art.

What movement is Self-Portrait with Country Folk from Appenzell?

Self-Portrait with Country Folk from Appenzell is associated with Romanticism.

Can I buy a print of Self-Portrait with Country Folk from Appenzell?

Museum-quality prints of Self-Portrait with Country Folk from Appenzell are available made-to-order from Artifact World Gallery.

Artwork

Self-Portrait with Country Folk from Appenzell

Tiberius Dominikus Wocher , 1798

Self-Portrait with Country Folk from Appenzell is a graphite drawing by the Romanticist artist Tiberius Dominikus Wocher. It dates from 1798 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:upper left in graphite: 36; lower center in graphite: T. Wocher 1798; by later hand, lower right in graphite: Appenzeller Land[not deciphered] / [not deciphered] Wocher / [not deciphered] XF...Selbstportrait.../ [not deciphered] 1904 [not deciphered]

About this work

Overview

Tiberius Dominikus Wocher’s 1798 drawing, Self‑Portrait with Country Folk from Appenzell, is executed in graphite with a gray wash on laid paper. The sheet, originally squared for transfer, has been mounted on an older album page. The work presents a modestly sized group of figures gathered outdoors, rendered in a straightforward, observational manner.

Subject & Meaning

The composition depicts the artist among a small assembly of rural inhabitants from the Appenzell region. The figures are dressed in plain, functional attire, hats, shirts and trousers, and are positioned both seated and standing, suggesting a casual interaction or conversation. One individual raises an arm, adding a subtle gesture of emphasis within the informal gathering.

Technique & Style

Wocher employed graphite lines softened by a gray wash to model forms and suggest atmospheric depth. The laid paper surface, with its faint texture, contributes to the drawing’s tonal subtlety. The handling reflects a restrained Romantic sensibility, emphasizing everyday subjects and a natural setting without elaborate ornamentation.

Context

Created at the close of the eighteenth century, the drawing aligns with Romanticism’s interest in the lives of ordinary people and the surrounding landscape. By portraying local country folk in a candid manner, Wocher participates in the broader artistic shift toward valuing regional identity and the authenticity of rural experience.