Who painted Album of Seasonal Landscapes, Leaf G (previous leaf 7)?

Album of Seasonal Landscapes, Leaf G (previous leaf 7) was painted by Xiao Yuncong in 1668-01-01.

Where can I see Album of Seasonal Landscapes, Leaf G (previous leaf 7)?

Album of Seasonal Landscapes, Leaf G (previous leaf 7) is held by Cleveland Museum of Art.

What movement is Album of Seasonal Landscapes, Leaf G (previous leaf 7)?

Album of Seasonal Landscapes, Leaf G (previous leaf 7) is associated with Qing dynasty painting.

Can I buy a print of Album of Seasonal Landscapes, Leaf G (previous leaf 7)?

Museum-quality prints of Album of Seasonal Landscapes, Leaf G (previous leaf 7) are available made-to-order from Artifact World Gallery.

Artwork

Album of Seasonal Landscapes, Leaf G (previous leaf 7)

Xiao Yuncong , 1668

Album of Seasonal Landscapes, Leaf G (previous leaf 7) is an unspecified painting by the Qing dynasty painting artist Xiao Yuncong. It dates from 1668 and is held in the collection of the Cleveland Museum of Art.

About this work

History & Provenance

The Album of Seasonal Landscapes, specifically Leaf G (following leaf 7), is a landscape painting created by the Chinese artist Xiao Yuncong in 1668.

The Album of Seasonal Landscapes, specifically Leaf G (following leaf 7), is a landscape painting created by the Chinese artist Xiao Yuncong in 1668. Executed in China, the work depicts natural elements including mountains and trees. Xiao Yuncong, who lived from 1596 to 1673, produced this landscape during the final decades of his life.

The piece is held in the collection of the Cleveland Museum of Art in Cleveland, Ohio, where it is cataloged under accession number 1955.302.7. No specific commission, prior provenance, or exhibition history is recorded in the available sources.

Overview

This painting, titled Album of Seasonal Landscapes, Leaf G, was created by Xiao Yuncong in 1668. As one leaf within a larger album, it presents a solitary natural scene characteristic of the artist's work. The artwork is currently housed in the collection of The Cleveland Museum of Art, offering a glimpse into Xiao Yuncong's distinctive approach to landscape painting during the late Ming and early Qing dynasties.

Subject & Meaning

The composition centers on a towering, rugged stone pillar, from which a small tree emerges at its apex. Below, a diminutive figure stands near a modest hut, surrounded by a few sparse bushes. In the background, subtle mountain forms recede into a pale, expansive sky, creating a sense of vastness and isolation. The scene evokes a contemplative mood, emphasizing the human presence within an overwhelming natural world.

Technique & Style

Xiao Yuncong employed loose, expressive brushstrokes to render the textures of the stone pillar and the tree, imbuing them with a tactile quality. The palette is predominantly soft and muted, with subtle applications of blue and green providing gentle contrast and depth. Edges are softly blended, contributing to an atmospheric effect where forms subtly merge with their surroundings rather than being sharply defined.