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Red Wall Art & Prints
8,593–8,640 of 16,729 red works · most celebrated first
The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Night
The vagabond crosses a stream with the possessions of the daughter-in-law of the king of Banaras and absconds, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
Text, Folio 4 (recto), from a Kalpa-sutra
Lady with a Parasol
Text, Folio 27 (recto), from a Kalpa-sutra
Courtesan
The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra
Portrait of a Man
Peonies
Album of Landscape Painting Illustrating Old Poems
The parrot addresses Khujasta at the beginning of the forty-first night, from a Tuti-nama (Tales of a Parrot): Forty-first Night
Portrait of a Woman as Saint Catherine
Krishna Under a Canopy
Celebrations of Krishna's Birth, from a Bhagavata Purana
As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
Sudhana and a pair of antelopes, folio 37 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
Maharao Ram Singh II of Kota (r. 1828–66) Hunting Buffalo
Shahr-Arai’s husband bends to kiss his wife who feigns sleep, from a Tuti-nama (Tales of a Parrot): Fortieth Night
Text, Folio 39 (recto), from a Kalpa-sutra
Krishna Awaiting Radha
Text, Folio 32 (verso), from a Kalpa-sutra
Rosa Mystica
The parrot addresses Khujasta at the beginning of the fiftieth night, from a Tuti-nama (Tales of a Parrot): Fiftieth Night
Text, Folio 20 (recto), from a Kalpa-sutra
Text, Folio 23 (verso), from a Kalpa-sutra
Desk Album: Flower and Bird Paintings (Peony)
Judge in Red Robe
King Siddhartha and Queen Trishala Sit Alone to Discuss Her Dreams, Folio 24 (recto), from a Kalpa-sutra
The lion returns to his territory and sees the monkey conversing with the lynx, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Painting Ten from Illustrated Book of Flowers and Butterflies
Text, Folio 22 (recto), from a Kalpa-sutra
Maharaja Shri Anand Singh-ji and His Consort
The daughter-in-law returns from her misadventure, feigning insanity, from a Tuti-nama (Tales of a Parrot): Sixteenth Night
The king’s handmaiden takes the prince away to the harem, from a Tuti-nama (Tales of a Parrot): Eighth Night
Irises
A heroine waiting for her lover: Vasakasajja Nayika, from the "Nurpur" Rasikapriya
The monkey advises the suspicious lion to cast off fear and take possession of his territory, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Beauty with Fireflies
Painting from a Kalpa-sutra: Indra Praises the Embryo of Mahavira in the Womb of the Brahman Woman Devananda
Greeting the Spring
The four destitute friends go to a wise man who gives each one of them a magic shell to be placed on top of the turban, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night
Grotesque Dancers Performing
Preparation for the marriage of Mahmuda to the Young Vizier, from a Tuti-nama (Tales of a Parrot): Thirty-third Night
The daughter of the king of the jinns bows before the King of Kings who has just undergone the ordeal of passing through the boiling oil to emerge as a youth, from a Tuti-nama (Tales of a Parrot): Seventh Night
Taking of the toll, Dana-Lila
Text, Folio 25 (recto), from a Kalpa-sutra
Painting Three from Illustrated Book of Flowers and Butterflies