What movement is The Prima Macchina for the Chinea of 1726: Hercules and the Hydra?

The Prima Macchina for the Chinea of 1726: Hercules and the Hydra is associated with Baroque.

Can I buy a print of The Prima Macchina for the Chinea of 1726: Hercules and the Hydra?

Museum-quality prints of The Prima Macchina for the Chinea of 1726: Hercules and the Hydra are available made-to-order from Artifact World Gallery.

Artwork

The Prima Macchina for the Chinea of 1726: Hercules and the Hydra

Francesco Faraone Aquila , 1726

The Prima Macchina for the Chinea of 1726: Hercules and the Hydra is an ink print by the Baroque artist Francesco Faraone Aquila. It dates from 1726 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:Lettered LL: "Disegno e invenzione di Alessandro Specchi Archit.to dell; Ecc.ma Casa Colonna" Lettered LR: "Francesco Aquila Sculp. con lic. de Sup." Lettered LC: "Prospetto in veduta della prima Machina de fuochi, che significa Ercole che ricide le sette teste dell'Idra rappresentanti li sette vizi [...] l'anno 1726"

About this work

The text at the bottom explains this was built for a royal celebration in 1726, where fireworks lit up the scene.

This print shows a towering, rocky pyramid with a statue of Hercules on top crushing a giant snake. Below, a grand stone balcony frames three arched windows, each with a tiny landscape inside. The whole scene looks like a stage set, with dramatic lighting and rough textures.

The text at the bottom explains this was built for a royal celebration in 1726, where fireworks lit up the scene. The artist used shading to make the rocky forms look almost three-dimensional.

Next, check out etching to see how artists like Aquila carved fine lines into metal plates.

Overview

The Prima Macchina for the Chinea of 1726: Hercules and the Hydra is an etching by Francesco Faraone Aquila, created in 1726.

Subject & Meaning

The print depicts a monumental, rocky structure topped with a statue of Hercules battling the Hydra, accompanied by a grand stone balcony with arched windows containing miniature landscapes, evoking a theatrical setting.

Technique & Style

Aquila employed shading techniques to achieve a three-dimensional effect, accentuating the texture of the rocky forms and creating dramatic lighting.

Context

This etching represents a temporary structure built for a royal celebration in 1726, where fireworks illuminated the scene, suggesting a dynamic and ephemeral experience.