Who painted Untitled?

Untitled was painted by Audrey Flack in 1975.

Where can I see Untitled?

Untitled is held by Museum of Modern Art.

Untitled by Audrey Flack (1975) · Meaning & Museum

About this work

Overview

Created in 1975, this untitled work by American artist Audrey Flack belongs to a mixed‑media print portfolio that combines screenprinting with collage. The piece assembles a variety of symbolic objects, such as a golden trumpet, a striped hat, a gold eagle, and a portrait of George Washington, against a blue field punctuated by white stars, evoking the visual language of the United States flag.

Subject & Meaning

The composition juxtaposes patriotic iconography with everyday items, assembling a narrative that references national identity and celebration. A small figurine dressed in a red coat and black hat stands beside a monochrome likeness of George Washington, reinforcing historical resonance while the decorative elements suggest a layered, almost ceremonial tableau.

Technique & Style

Flack employed screenprinting as the primary method, integrating collage components directly onto the printed surface. The portfolio from which the work derives includes six lithographs and four screenprints, one of which also incorporates collage, demonstrating her fluency in multiple printmaking processes and her interest in combining mechanical reproduction with tactile, assembled materials.

History & Provenance

The piece forms part of a broader series that showcases Flack’s early engagement with photorealism and print media. Although specific acquisition details are not recorded here, the work reflects the artist’s academic background, having studied at Yale and Cooper Union, institutions that later honored her with honorary doctorates for her contributions to contemporary art.

Context

Emerging in the mid‑1970s, the work aligns with a period when Flack was expanding beyond painting into printmaking, exploring how reproducible media could convey complex visual narratives. Its patriotic motifs resonate with the broader cultural climate of post‑Vietnam America, where artists frequently revisited national symbols to question and reinterpret collective memory.