Artwork
Elevation of a Passage Plan

Elevation of a Passage Plan is an ink print by the Baroque artist Jacques Callot. It dates from 1619 and is held in the collection of the National Gallery of Art.
About this work
Overview
Jacques Callot, a French printmaker active in the early seventeenth century, produced the work titled Elevation of a Passage Plan in 1619. Executed as a combined etching and engraving on laid paper, the piece functions as a technical drawing rather than a conventional decorative print.
Subject & Meaning
The image presents a longitudinal corridor with a series of steps and adjoining chambers. Architectural elements are annotated in Italian, identifying features such as the entrance (ingresso) and smaller rooms (spelonche). Additional miniature sketches of arches and doorways, marked with the letters E, F and G, suggest a design study for a larger construction project.
Technique & Style
Callot employed both etching and engraving, allowing fine line work and precise hatching to convey depth and spatial relationships. The use of laid paper provides a textured surface that enhances the clarity of the measured lines and textual labels, reflecting the artist’s meticulous approach to architectural representation.
History & Provenance
Created during Callot’s prolific period, when he produced over a thousand prints documenting military, urban and rural scenes, the passage plan exemplifies his interest in recording contemporary structures. The work survives as a restrike, indicating that the plate was later reprinted, a common practice for disseminating technical drawings in the seventeenth century.
Context
Callot’s activity in the Duchy of Lorraine placed him at a crossroads of French and Italian artistic influences. His training in drawing and printmaking equipped him to serve both artistic and practical purposes, bridging the gap between fine art and architectural documentation.
Own this work as a print
Artist & collection
Artist
Jacques Callot (French: ; c. 1592 – 1635) was a baroque printmaker and draftsman from the Duchy of Lorraine. He is an important person in the development of the old master print. He made more than 1,400 etchings that…







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