Who painted Apple Tree in the Meadow, Eragny?

Apple Tree in the Meadow, Eragny was painted by Camille Pissarro in 1897.

Where can I see Apple Tree in the Meadow, Eragny?

Apple Tree in the Meadow, Eragny is held by Philadelphia Museum of Art.

What movement is Apple Tree in the Meadow, Eragny?

Apple Tree in the Meadow, Eragny is associated with Impressionism.

Can I buy a print of Apple Tree in the Meadow, Eragny?

Museum-quality prints of Apple Tree in the Meadow, Eragny are available made-to-order from Artifact World Gallery.

Artwork

Apple Tree in the Meadow, Eragny

Camille Pissarro , 1897

Apple Tree in the Meadow, Eragny is an oil painting by the Impressionist artist Camille Pissarro. It dates from 1897 and is held in the collection of the Philadelphia Museum of Art. Created in 1897, this oil painting portrays a solitary apple tree set within a verdant meadow.

About this work

Overview

Created in 1897, this oil painting portrays a solitary apple tree set within a verdant meadow. The composition is anchored by the tree’s central placement, flanked by modest shrubs, a low stone wall, and distant structures that hint at a rural settlement. A pale blue sky stretches above, lending a calm atmosphere to the scene.

Subject & Meaning

The work captures a quiet moment in the countryside, emphasizing the relationship between cultivated nature and the surrounding landscape. The solitary tree, rendered with delicate light, suggests both the productivity of the orchard and a contemplative stillness, inviting viewers to consider the harmony of agricultural life and natural beauty.

Technique & Style

Pissarro employs short, broken brushstrokes characteristic of late‑19th‑century French painting, allowing color to vibrate and convey the shifting effects of light on foliage and grass. A palette of vivid greens, soft blues, and warm earth tones creates depth, while the loose handling of form underscores a sense of immediacy and atmospheric tranquility.

History & Provenance

The canvas entered the collection of the Philadelphia Museum of Art, where it remains on display. Its acquisition reflects the museum’s broader effort to represent the evolution of French Impressionism and its later offshoots, situating Pissarro’s work within a significant institutional context.

Context

Painted during a period when Pissarro was exploring rural subjects near his home in Eragny, the piece aligns with his sustained interest in agrarian scenes and the effects of natural light. It exemplifies his transition from pure Impressionism toward a more measured, pointillist approach, while retaining a personal connection to the French countryside.