Who painted H Beard Print Collection?

H Beard Print Collection was painted by William Charles in 1850.

Where can I see H Beard Print Collection?

H Beard Print Collection is held by Victoria and Albert Museum.

Can I buy a print of H Beard Print Collection?

Museum-quality prints of H Beard Print Collection are available made-to-order from Artifact World Gallery.

Artwork

H Beard Print Collection

William Charles , 1850

H Beard Print Collection is a print by William Charles. It dates from 1850 and is held in the collection of the Victoria and Albert Museum. This 1803 print, 'The Manager Upheld by his Dog', is a political caricature created from a sketch made at the Theatre Royal Drury Lane.

About this work

This print shows a political caricature from 1803. It’s a sharp, funny take on Richard Brinsley Sheridan, a famous playwright and politician. The artist William Charles caught Sheridan on stage at Drury Lane.

The print was published fast after that night. It shows how quick satire spread in early 19th-century London.

Check out the Victoria and Albert Museum for more prints by the same hand.

Overview

This 1803 print, 'The Manager Upheld by his Dog', is a political caricature created from a sketch made at the Theatre Royal Drury Lane. It satirizes Richard Brinsley Sheridan, a prominent playwright and politician.

Subject & Meaning

The subject is Richard Brinsley Sheridan, caricatured in a humorous, sharp critique. The title suggests a commentary on his managerial role, potentially implying dependence on support ('his Dog') in his position.

Technique & Style

Executed as a quick sketch during a performance on December 21, 1803, the print reflects the rapid production typical of early 19th-century political satire. The style is characteristic of period caricatures, emphasizing exaggeration for comedic effect.

History & Provenance

Published promptly after the sketching on December 21, 1803, by William Charles. The artist's ability to quickly capture and publish the image highlights the swift dissemination of satire in London at the time.

Context

Part of a broader tradition of political caricature in early 19th-century London, this work is comparable to other satirical prints of the era. For similar examples, see the Victoria and Albert Museum's collection.