Artwork

Armida en la batalla frente a los sarracenos

Armida en la batalla frente a los sarracenos, by David Teniers the Younger, oil, 1628
Armida en la batalla frente a los sarracenos, by David Teniers the Younger, oil, 1628

Armida en la batalla frente a los sarracenos is an oil painting by the Flemish Baroque painting artist David Teniers the Younger. It dates from 1628 and is held in the collection of the Museo del Prado.

About this work

Subject & Meaning

The painting depicts the sorceress Armida from Torquato Tasso's epic poem Jerusalem Delivered, shown in the midst of a battle against Saracen forces.

The painting depicts the sorceress Armida from Torquato Tasso's epic poem Jerusalem Delivered, shown in the midst of a battle against Saracen forces. Teniers renders her with a combat helmet, shield, and sword, emphasizing her role as both a warrior and a commanding figure amid the conflict. The scene reflects the poem's episode where Armida, though a sorceress allied with the pagans, becomes a central figure whose actions drive the narrative's dramatic tension between Christian and Saracen forces.

Symbolically, the work encapsulates the poem's themes of enchantment, martial prowess, and the blurred boundaries between magic and warfare. Armida's presence amid the clash underscores the poem's intertwining of supernatural agency with historical or pseudo-historical conflict.

Technique & Style

Armida en la batalla frente a los sarracenos is an oil painting executed on a small-scale copper support, measuring 27 cm in height by 39 cm in width. The work is painted in oil on copper, a technique characteristic of cabinet pictures produced for refined viewing at close range. The composition depicts Armida alongside combat-related attributes including a helmet, shield, sword, and spear, set within a narrative drawn from Jerusalem Delivered.

The modest dimensions and the use of a copper support suggest a finely finished, jewel-like handling typical of Flemish cabinet painting, where the metallic ground lends luminosity to the surface. The painting is held in the collection of the Museo del Prado.

History & Provenance

David Teniers the Younger created the oil painting Armida en la batalla frente a los sarracenos in 1628. The work, executed on a copper support, depicts a scene from Torquato Tasso's Jerusalem Delivered. Its provenance traces through the Spanish royal collection, having been owned successively by Philip V of Spain, Elisabeth Farnese, and Charles III of Spain.

The ownership chain continued with Ferdinand VII of Spain before the work entered the holdings of the Museo del Prado. The painting has also been associated with the Royal Palace of Aranjuez and the Royal Palace of La Granja de San Ildefonso.

The painting is held in the collection of the Museo del Prado. No specific inventory or accession number is provided in the available records, and the sources do not document a specific exhibition history for this work.

Context

The painting was created by David Teniers the Younger in 1628 and reflects his engagement with the epic narratives of the early modern period. It draws on the narrative of Jerusalem Delivered, a literary source that shaped visual strategies in the period. The work entered the Spanish royal collection and passed through monarchs including Charles III and Ferdinand VII, linking it to the dynastic interests of the Spanish monarchy.

Its execution in oil on copper underscores the technical ambitions of cabinet painting. The painting is housed in the Museo del Prado, where it has been studied in relation to Teniers's broader output and the cultural policies of the Spanish court.

Overview

David Teniers the Younger completed this oil on canvas in 1628. The work, titled Armida en la batalla frente a los sarracenos, is part of the collection of the Museo del Prado in Madrid. It presents a tumultuous combat tableau in which a solitary female figure stands apart from the surrounding melee.

Legacy

As an example of Teniers’s capacity to fuse genre painting with heroic narrative, the work illustrates the broader 17th‑century Flemish interest in depicting literary subjects. Its presence in the Prado contributes to the museum’s representation of cross‑cultural artistic exchanges between the Low Countries and Spain during the Baroque era.

Proezas de Reinaldo frente a los egipcios
Proezas de Reinaldo frente a los egipcios, David Teniers the Younger

Artist & collection

Portrait of David Teniers the Younger

Artist

David Teniers the Younger

David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, and artist.

Museo del Prado

Museum

Museo del Prado

Continue through works from the same source collection.

This work is in the public domain (CC0). Image source: Museo del Prado open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted Armida en la batalla frente a los sarracenos?

Armida en la batalla frente a los sarracenos was painted by David Teniers the Younger in 1628-01-01.

Where can I see Armida en la batalla frente a los sarracenos?

Armida en la batalla frente a los sarracenos is held by Museo del Prado.

What movement is Armida en la batalla frente a los sarracenos?

Armida en la batalla frente a los sarracenos is associated with Flemish Baroque painting.

Can I buy a print of Armida en la batalla frente a los sarracenos?

Museum-quality prints of Armida en la batalla frente a los sarracenos are available made-to-order from Artifact World Gallery.