Who painted An Old Man Leaning on a Sack?

An Old Man Leaning on a Sack was painted by Giovanni De Pian in 1794.

Where can I see An Old Man Leaning on a Sack?

An Old Man Leaning on a Sack is held by National Gallery of Art.

What movement is An Old Man Leaning on a Sack?

An Old Man Leaning on a Sack is associated with Romanticism.

Can I buy a print of An Old Man Leaning on a Sack?

Museum-quality prints of An Old Man Leaning on a Sack are available made-to-order from Artifact World Gallery.

Artwork

An Old Man Leaning on a Sack

Giovanni De Pian , 1794

An Old Man Leaning on a Sack is an ink print by the Romanticist artist Giovanni De Pian. It dates from 1794 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:by later hand, lower left in graphite: Londonio sc; by later hand, lower right in graphite: Nagl. 66 I

About this work

Overview

Giovanni De Pian’s print An Old Man Leaning on a Sack, executed around 1794, is an etching combined with aquatint on laid paper. The work is printed in a warm red hue, which unifies the composition and lends a subdued tonal atmosphere. The image presents a solitary, aged figure supported by a sack, set within a modest rural landscape.

Subject & Meaning

The central figure is an elderly man, slumped and weary, his posture suggesting fatigue or hardship. He is accompanied by a donkey, a goat, and a modest spread of foodstuffs, potatoes, onions, and a basket, evoking a scene of subsistence. The surrounding rocky hillside and sparse trees frame the figure, hinting at a humble, perhaps agrarian, way of life.

Technique & Style

De Pian employed delicate line work to render the man’s wrinkles and the texture of the animal hides, while the aquatint areas create soft, diffused tones in brown and red. The use of laid paper contributes a subtle grain that interacts with the red ink, producing a slightly muted, atmospheric effect characteristic of late‑18th‑century printmaking.

History & Provenance

Created circa 1794, the print belongs to the later period of De Pian’s career, when he explored genre scenes of everyday labor. It was produced as a single‑color impression, a common practice for affordable prints intended for a broader audience. The work has circulated in European collections, reflecting the period’s interest in realistic depictions of rural life.