Artwork
Matthias de l'Obel

Matthias de l'Obel is an ink print by the Baroque artist Francis Delaram. It dates from 1615 and is held in the collection of the National Gallery of Art.
About this work
Around his head is a banner with Latin words, and above him are two cherubs sitting on scrolls with more words.
This is a black-and-white engraving of an older man with a long white beard and serious expression. He’s holding a small plant in one hand. Around his head is a banner with Latin words, and above him are two cherubs sitting on scrolls with more words. The sides have two small round crests and a few more decorative details.
The man’s name is written as Matthias de l’Obel, and the year 1615 is stamped on the frame. The artist signed it too, but the details are tiny.
Want to see more? Check out the technique: engraving.
Overview
This 1615 engraving by Francis Delaram depicts Matthias de l'Obel, a Flemish botanist and physician renowned for his work in plant classification. The black-and-white print showcases de l'Obel in later life, characterized by his long white beard and serious demeanor.
Subject & Meaning
De l'Obel is portrayed holding a small plant, symbolizing his botanical contributions. A banner encircling his head bears Latin text, while two cherubs sit atop scrolls with additional inscriptions, contextualizing his achievements within a scholarly and possibly religious framework.
Technique & Style
The engraving exhibits Delaram's technique, with precise rendering of the figure contrasting with a less detailed background. Decorative elements, including cherubs, round crests, and scrolls, reflect the influence of the Flemish school, potentially indicative of training under Cornelis Boel.
History & Provenance
Francis Delaram, an English engraver active from circa 1615 to the 1620s, created this work. His oeuvre includes portraits, landscapes, and illustrations, notably for William Camden’s Historie. The engraving is signed by Delaram and dated 1615.
Context
Created during the early 17th century, this engraving sits within the broader context of scientific and scholarly illustration of the time, highlighting the intersection of art and emerging botanical knowledge.
Legacy
While specific lasting impacts of this engraving on art or botany are not prominently documented, it remains a representative example of early 17th-century English engraving and the commemoration of scientific figures through art.
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Artist & collection
Artist
Francis Delaram (born around 1590, fl. 1615–1624 or 1627), was an English engraver. Delaram left a substantial collection of engraved portraits, landscapes and book illustrations (specifically, William Camden's…

















