Who painted Anna de Peyster (?)?

Anna de Peyster (?) was painted by Frans van Doornik in 1731.

Where can I see Anna de Peyster (?)?

Anna de Peyster (?) is held by National Gallery of Art.

What movement is Anna de Peyster (?)?

Anna de Peyster (?) is associated with Baroque.

Can I buy a print of Anna de Peyster (?)?

Museum-quality prints of Anna de Peyster (?) are available made-to-order from Artifact World Gallery.

Artwork

Anna de Peyster (?)

Frans van Doornik , 1731

Anna de Peyster (?) is an oil painting by the Baroque artist Frans van Doornik. It dates from 1731 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:center left: F.V. Doornik. f 1731

About this work

Technique & Style

Executed in 1731, this portrait is an oil painting on canvas. The work is classified as a portrait and is attributed to Frans van Doornik. While the specific handling, condition, and detailed stylistic qualities are not described in the available records, the fundamental materials and medium are established as oil paint applied to a canvas support.

History & Provenance

Chapman lent the work to the Brooklyn Museum until January 1911 before including it in his estate sale at Anderson Galleries in New York in January 1913.

Created in 1731 by Frans van Doornik, this oil-on-canvas portrait was in the possession of Colonel Henry Thomas Chapman, Jr., of Brooklyn by 1897. Chapman lent the work to the Brooklyn Museum until January 1911 before including it in his estate sale at Anderson Galleries in New York in January 1913. The painting subsequently passed through Ehrich Galleries and a private collection before being offered at Plaza Art Galleries in April 1938, where it was bought in. It was later acquired by Chester Dale through the Cornelius Michaelsen Gallery in New York.

Upon Dale's death in 1962, the portrait was bequeathed to the National Gallery of Art in Washington, D.C., in 1963, where it now resides.

Overview

This oil on canvas portrait, created in 1731 by Frans van Doornik, is tentatively identified as Anna de Peyster. The painting captures a woman in formal attire, presented against a subdued background. It exemplifies the portraiture practices of the early 18th century, focusing on the sitter's presence and social standing through detailed rendering and a direct gaze.

Subject & Meaning

The painting presents a woman with light, curly hair, elegantly dressed in a white gown complemented by a blue shawl draped over her left shoulder. She engages the viewer directly with her gaze, while her right hand gently holds the fabric of the shawl. Her composed posture and refined attire convey a sense of grace and social standing, characteristic of formal portraiture intended to project the sitter's dignity.