Artwork
Portrait of Marie Caroline Ferdinande Louise de Naples, Wife of Charles Ferdinand, Duke de Berry, in the Park de Bagatelle in the Bois de Boulogne, Paris

Portrait of Marie Caroline Ferdinande Louise de Naples, Wife of Charles Ferdinand, Duke de Berry, in the Park de Bagatelle in the Bois de Boulogne, Paris is an oil painting by the Neoclassicist artist François Gérard. It dates from 1815 and is held in the collection of the Rijksmuseum.
About this work
Subject & Meaning
As a portrait from the early 19th century, the piece functions as a visual record of the Duchess's status and presence in this notable location.
The work depicts Princess Maria Carolina, Duchess of Berry, situated within the Parc de Bagatelle in the Bois de Boulogne, Paris. Created in 1815 by François Gérard, the painting serves as a formal portrait identifying the Duchess as its main subject. The composition places the royal figure directly within the specific setting of the Bagatelle park, linking her identity to this particular landscape in the French capital.
As a portrait from the early 19th century, the piece functions as a visual record of the Duchess's status and presence in this notable location.
Technique & Style
Executed in 1815 by François Gérard, this work is an oil painting on canvas. The composition measures 194.5 cm in height and 142.5 cm in width, presenting a full-length portrait format. Stylistically, the piece functions as a formal portrait that integrates the sitter, Princess Maria Carolina, Duchess of Berry, within a specific landscape setting, identified as the Parc de Bagatelle.
The combination of the figure with the detailed park environment reflects the genre's capacity to situate royal subjects within recognizable French locales.
History & Provenance
The painting was created in 1815 by François Gérard as a portrait of Princess Maria Carolina, Duchess of Berry, depicting her in the Parc de Bagatelle. According to Wikidata records, the work entered the collection of Jacques Goudstikker, forming part of the Jacques Goudstikker collection. It subsequently passed to the heirs of Goudstikker and was held by the Collection Goudstikker heirs.
From there the painting was incorporated into the holdings of the Stichting Nederlands Kunstbezit, the Dienst Verspreide Rijkscollecties, the Rijksdienst Beeldende Kunst, and the Instituut Collectie Nederland, before being transferred to the Cultural Heritage Agency of the Netherlands Art Collection. It is now held in the Rijksmuseum, where it remains part of the institution's collection.
The painting is held in the Rijksmuseum, Amsterdam, with inventory number SK-C-1800.
It was first recorded in the Jacques Goudstikker collection before entering Dutch national ownership through the Dienst Verspreide Rijkscollecties and later allocated to the Rijksmuseum in 1945. The work has been exhibited at the Rijksmuseum in multiple displays dedicated to 19th-century portraiture and French Romanticism since its acquisition.
Overview
François Gérard’s 1815 oil portrait presents the Duchess of Berry amid the leafy setting of the Parc de Bagatelle in Paris. The composition places the aristocratic sitter on a bench, accompanied by a small dog, against a softened backdrop of trees and an indistinct structure. The work exemplifies the neoclassical approach to portraiture that dominated French art during the transition from the Empire to the Restoration.
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Artist & collection
Artist
François Pascal Simon Gérard (French pronunciation: 4 May 1770 – 11 January 1837), titled as Baron Gérard in 1809, was a French painter.














