Vignette for the Title Page of Martinus Bonacina, Opera Omnia
1632
ink
paper
From the collection of National Gallery of Art
1632
ink
paper
From the collection of National Gallery of Art
Dominant colour
Vignette for the Title Page of Martinus Bonacina, Opera Omnia is a 1632 ink by Cornelis Galle I, a Baroque work, held at National Gallery of Art.
This engraving shows a fancy coat of arms with two owls perched on top, a rooster in the middle, and a banner reading "Nocti Incubando." Below, a woman’s face peeks from the sides, holding up the shield. The background has swirling clouds and a moon, while a snake coils around a tree branch. The rooster and owls might seem odd together, but they’re symbols for night and day. The artist used fine lines to create shadows and texture, making it look almost 3D. Want to see more like this? Check out engraving to learn how artists use lines to build depth.
Cornelis Galle the Elder (1576 – 29 March 1650), a younger son of Philip Galle, was born at Antwerp in 1576, and was taught engraving by his father.
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