Who painted Ruine de la partie Interieure d'une Basilique de Rome?

Ruine de la partie Interieure d'une Basilique de Rome was painted by Laurent Guyot in 1795.

Where can I see Ruine de la partie Interieure d'une Basilique de Rome?

Ruine de la partie Interieure d'une Basilique de Rome is held by National Gallery of Art.

What movement is Ruine de la partie Interieure d'une Basilique de Rome?

Ruine de la partie Interieure d'une Basilique de Rome is associated with Romanticism.

Can I buy a print of Ruine de la partie Interieure d'une Basilique de Rome?

Museum-quality prints of Ruine de la partie Interieure d'une Basilique de Rome are available made-to-order from Artifact World Gallery.

Artwork

Ruine de la partie Interieure d'une Basilique de Rome

Laurent Guyot , 1795

Ruine de la partie Interieure d'une Basilique de Rome is an ink print by the Romanticist artist Laurent Guyot. It dates from 1795 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:recto: in plate, below image, at left: Robert pinxit.; in plate, below image, at right: Guyot Sculpsit.; in plate, below image, at center: Ruine de la partie Interieure d'une Basilique de Rome / Gravé d'après le Tableau d'Hubert Robert à Rome A Paris Chez Guyot Rue de la Monnoye No 21 Tiré de la Collection de son Ami K. La Roche.; at bottom left, in graphite, in later hand: 2d4 [?]; verso: at upper left in graphite in later hand: 5/; at upper left in graphite in later hand: 888; at lower left in graphite in later hand: B25035; at lower right in graphite in later hand: Pair YEX
Markings: Marked:recto: circle with shield [?] stamped in black at lower left (not in Lugt); verso: National Gallery of Art

About this work

Overview

Ruine de la partie Interieure d'une Basilique de Rome is a 1795 color etching and wash on laid paper by Laurent Guyot, depicting a ruined Roman basilica's interior.

Subject & Meaning

The print shows a crumbling church interior with makeshift habitation: people cooking by fire, surrounded by hay, smoke, and a calm dog. The scene conveys adaptation to decay, highlighting resilience amidst struggle.

Technique & Style

Guyot employed a mix of dark tones and soft, contrasting light (from a roof hole revealing a night sky) to evoke the subjects' hardships and resourcefulness.

History & Provenance

Created in 1795, specific provenance details are not provided in available information.

Context

The work reflects late 18th-century European fascination with antiquity and ruin, while also touching on themes of everyday survival within historic, deteriorating spaces.

Legacy

The print exemplifies the etching medium's capacity for detailed, expressive renderings of light and shadow, characteristic of late Enlightenment-era artistic practices.