Who painted Plate 24: Two Swans, a Kingfisher, and a Bullfinch?

Plate 24: Two Swans, a Kingfisher, and a Bullfinch was painted by Joris Hoefnagel in 1594.

Where can I see Plate 24: Two Swans, a Kingfisher, and a Bullfinch?

Plate 24: Two Swans, a Kingfisher, and a Bullfinch is held by National Gallery of Art.

What movement is Plate 24: Two Swans, a Kingfisher, and a Bullfinch?

Plate 24: Two Swans, a Kingfisher, and a Bullfinch is associated with Renaissance.

Can I buy a print of Plate 24: Two Swans, a Kingfisher, and a Bullfinch?

Museum-quality prints of Plate 24: Two Swans, a Kingfisher, and a Bullfinch are available made-to-order from Artifact World Gallery.

Artwork

Plate 24: Two Swans, a Kingfisher, and a Bullfinch

Joris Hoefnagel , 1594

Plate 24: Two Swans, a Kingfisher, and a Bullfinch is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:Upper center in red ink: TVNC CANENT CYGNI CVM TACEBVNT GRACVLI: center right in (gold?): XXIV.; birds in image numbered .1., .2., .3., and .4., in red ink Facing page: Upper center in black ink: .3. / Quum me ficus alat, quum pascor dulcibus unis: / cur potius nomen, non dedit una mihi?; lower center in black ink: In tenui spes nulla lucri est, unoq[ue] residunt / Arbusto germinae, non bene ficedulae

About this work

Overview

Plate 24: Two Swans, a Kingfisher, and a Bullfinch is a watercolor and gold paint work on parchment created by Joris Hoefnagel around 1594. It exemplifies the artist's skill in natural history illustration and manuscript illumination.

Subject & Meaning

The work depicts four birds in a serene environment: two swans on calm water, a kingfisher on a branch, and a bullfinch amidst foliage. The simple background contrasts with the detailed, colorful rendering of the birds, highlighting Hoefnagel's observation of nature.

Technique & Style

Hoefnagel's use of watercolor and gold paint on parchment achieves a soft, luminous effect. The layering of watercolor and application of gold paint demonstrate his technical skill, particularly in capturing subtle details such as feathering and foliage.

Context

As a Flemish artist transitioning from manuscript illumination to independent still-life painting, Hoefnagel's work reflects a pivotal moment in northern European art. His detailed observation of flora and fauna contributed to this artistic shift.