Artwork

Plate 37: Three Waterfowl with Two Nightingales(?) Perched in Citrus Trees

Plate 37: Three Waterfowl with Two Nightingales(?) Perched in Citrus Trees is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:Upper center in red/violet ink: LVSCINIAE DEEST CA[N]TIO.; center right in (gold?): XXXVII.; birds in image numbered .1., .2., .3., .6., and .7., in red ink; fruit on trees in image numbered .4. and .5., in red ink; lower center in (gold?): NEQVE QVANTVM LVSCINIAE DORMIVNT. Facing page: Upper center in black ink: Flet Phylomela nefas Incesti Tereos: et quae / muta puella fuit, garrula fertur avis.; lower center in black ink: Dulcis amica veni, noctis solatia praestans: / Inter aves etinem, nulla tui similis. / Tu Phylomela potes, vocum discrimina mille, / Mille potes varios ipsa referre modos.

About this work

Overview

Created circa 1594, this small watercolor on parchment combines delicate pigment with gold leaf, a technique typical of manuscript illumination. The composition presents three waterfowl and two diminutive birds set among a citrus‑laden branch, rendered with a precise, observational quality that reflects the artist’s scientific interest in natural subjects.

Subject & Meaning

The central figures are three ducks of varying plumage, one dark, one reddish‑headed, and one predominantly gray, arranged near water, while two tiny birds occupy a branch heavy with yellow citrus fruit. Latin inscriptions framing the image suggest an allegorical reference to nightingales, though the depicted birds differ in appearance, hinting at a symbolic rather than literal reading.

Technique & Style

Hoefnagel employed fine watercolor washes layered with translucent glazes, building colour through successive applications. Gold paint accents the foliage and fruit, lending a luminous quality reminiscent of illuminated manuscripts. The rendering balances meticulous anatomical detail with a stylised, almost diagrammatic approach characteristic of northern European still‑life developments.

History & Provenance

The work belongs to Joris Hoefnagel, a Flemish painter and draftsman noted for his contributions to natural history illustration and topographical drawing. Produced during his mature period, the piece exemplifies his transition from manuscript illumination to independent watercolor studies, a shift that influenced later still‑life painters in the Low Countries.

Context

At the close of the sixteenth century, interest in cataloguing flora and fauna grew among scholars and collectors. Hoefnagel’s watercolors, including this plate, responded to that curiosity, merging artistic skill with empirical observation. The inclusion of citrus, a luxury fruit in Europe, reflects contemporary trade routes and the status of exotic plants in elite collections.