Artwork
Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles)

Hulagu Khan giving a feast and dispensing favor upon the amirs and princes, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) is an unspecified painting. It dates from 1600 and is held in the collection of the Cleveland Museum of Art. The work portrays a bustling ceremonial gathering inside an elaborate tent.
About this work
History & Provenance
It is attributed to workshop collaborators Lal, Dharam Das, and Padarath, reflecting Mughal artistic practices of the late 16th century.
The painting depicting Hulagu Khan granting favor to amirs and princes originates from a Chingiz-nama within the Jami al-tavarikh, produced in 1598 in the Mughal Empire. It is attributed to workshop collaborators Lal, Dharam Das, and Padarath, reflecting Mughal artistic practices of the late 16th century. The work entered the collection of the Cleveland Museum of Art, where it remains housed today.
The painting is held by the Cleveland Museum of Art, where it forms part of the museum's collection of Mughal-era works. Its accession number is 2013.304, and it was created in 1598 within the Mughal Empire.
No exhibition history is documented in the available sources.
Overview
The work portrays a bustling ceremonial gathering inside an elaborate tent. At its heart sits a figure in an orange robe on an elevated dais, surrounded by attendants in vivid reds, blues, greens and golds. The composition includes kneeling and standing figures, some bearing gifts or documents, while a horse and riders appear beyond the tent’s entrance. Persian calligraphic bands frame the scene along the top and sides.
Subject & Meaning
The central figure is identified as Hulagu Khan, the Mongol ruler, depicted bestowing favors upon amirs and princes. The act of presenting gifts or orders signifies the distribution of imperial patronage and the reinforcement of alliances within the Mongol hierarchy. The surrounding participants, dressed in luxurious court attire, emphasize the ceremony’s political and diplomatic significance.
Technique & Style
Executed in a richly colored palette, the painting combines detailed costume rendering with a flattened spatial arrangement typical of Persian court manuscripts. The use of gold highlights and intricate patterning on textiles reflects the luxury associated with Mongol imperial courts, while the stylized architecture and tree in the background provide a decorative framework rather than realistic depth.
Context
Created during a period when Mongol rulers commissioned Persian scribes and painters to record their conquests, the work reflects the cross‑cultural exchange between the nomadic empire and the settled Persian bureaucracy. The depiction of Hulagu Khan in a courtly setting illustrates how Mongol leaders adopted local ceremonial customs to legitimize their authority.
Legacy
As a visual record within a historical manuscript, the painting offers scholars insight into the ceremonial protocols and visual language of Mongol‑Persian courts. Its vivid portrayal of courtly dress and hierarchical interaction continues to inform studies of medieval Eurasian political culture.
Artist & collection










