Self-portrait

Rigaud employs a restrained palette and a darkened background that isolates the figure, allowing the subtle modeling of light on the face and fabric to emerge. The handling of oil paint shows a controlled chiaroscuro, creating depth without the dramatic contrasts typical of his earlier court portraits, aligning with Rococo’s softer aesthetic.

Painted shortly after Rigaud’s retirement from official court commissions, the self‑portrait entered the Uffizi’s holdings as part of the Medici’s extensive portrait collection. It has remained in the museum’s permanent display, offering insight into the artist’s self‑perception during the final phase of his career.