Who painted The Rest on the Flight into Egypt?

The Rest on the Flight into Egypt was painted by Italian 16th Century in 1501.

Where can I see The Rest on the Flight into Egypt?

The Rest on the Flight into Egypt is held by National Gallery of Art.

What movement is The Rest on the Flight into Egypt?

The Rest on the Flight into Egypt is associated with Renaissance.

Artwork

The Rest on the Flight into Egypt

Italian 16th Century , 1501

The Rest on the Flight into Egypt is an ink drawing by the Renaissance artist Italian 16th Century. It dates from 1501 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower center in brown ink: 79; lower left on mount in graphite: See Vitzthum, Burl.Mag.1961, p.314, pl.22; lower center onmount: Palma Giovane; lower right: Belisario Corenzio; uLv//in brown ink: R:J:J:75 / C / T / - / - / EXM; lRv//in graphite: K709 / 12114; lRv//in brown ink:

About this work

Overview

This pen and ink drawing with wash depicts a serene scene of three figures resting in a simple landscape, conveying a sense of calm after a journey.

Subject & Meaning

The composition centers on a standing man with a staff and bundle, a seated woman cradling a child who reaches up to her, evoking the biblical narrative of the Flight into Egypt. The figures' tired yet peaceful demeanor captures a moment of respite.

Technique & Style

Characterized by loose, sketchy lines, the drawing suggests a quick execution, potentially as a study or practice piece. Cross-hatching is employed to achieve shading, while brown and gray wash adds depth and a subtle glow in the background.

Context

The subject matter aligns with traditional European art themes, particularly from the Renaissance and Baroque periods, where the Flight into Egypt was a common motif. The drawing's style, however, does not strongly affiliate with a specific prominent artist of these eras, suggesting it might be a lesser-known work or by an artist not widely recognized in major canons.

History & Provenance

No specific historical or provenance details are provided for this drawing, leaving its exact date, artist, and ownership history unknown.

Legacy

The drawing's impact or influence on art history is not discernible from the given information, suggesting it may not be a widely studied or exhibited piece.