Artwork
Jacques-Louis Leblanc (1774–1846)

Jacques-Louis Leblanc (1774–1846) is an oil painting by the Academic Art artist Jean Auguste Dominique Ingres. It dates from 1823 and is held in the collection of the Metropolitan Museum of Art.
About this work
History & Provenance
The available sources do not list a specific inventory or accession number for the piece, nor do they record details of its exhibition history.
The portrait of Jacques-Louis Leblanc, painted by Jean-Auguste-Dominique Ingres in 1823, is held in the collection of the Metropolitan Museum of Art in New York. It was formerly in the collection of the painter Edgar Degas, who admired Ingres and owned the portrait together with its pendant of Madame Leblanc before both passed to the museum. The available sources do not list a specific inventory or accession number for the piece, nor do they record details of its exhibition history.
Legacy
The 1823 portrait of Jacques-Louis Leblanc by Jean-Auguste-Dominique Ingres exemplifies the academic tradition of early-19th-century French portraiture. Executed in oil on canvas, the work was once owned by Edgar Degas, who held Ingres in high regard, and it is frequently cited in scholarship on Ingres's influence on later artists such as Degas himself. Its technical precision continues to inform studies of portrait composition, securing the portrait's place in the historical narrative of European art.
Overview
Jean Auguste Dominique Ingres completed this oil painting, a portrait of Jacques-Louis Leblanc, in 1823. The artwork captures the likeness of its subject, whose life spanned from 1774 to 1846. This piece is now part of the collection at The Metropolitan Museum of Art, representing a significant example of Ingres's portraiture from the early 19th century.
Subject & Meaning
The painting presents Jacques-Louis Leblanc in a seated position, his gaze directed forward with a composed expression. He wears a dark coat and a white cravat, typical attire for the period. His left hand gently rests on a small wooden box, an object that draws subtle attention.
A red-patterned lap blanket introduces a distinct visual accent against the otherwise subdued background, adding a touch of personal detail to the composition.
Technique & Style
Ingres rendered Leblanc's face with a notable smoothness, employing subtle gradations of shadow to define its contours. This technique imparts a soft, three-dimensional quality to the skin, contributing to the lifelike presence of the sitter. Such careful modeling of form through light and shade was a characteristic approach in portraiture of the era, effectively conveying depth and volume within the two-dimensional medium.
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Artist & collection
Artist
Jean-Auguste-Dominique Ingres was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic…


















