Artwork
Portrait of a Man in Armour
Portrait of a Man in Armour is an oil painting by Joh. G. Melzer. It dates from 1714 and is held in the collection of the Statens Museum for Kunst. Johannes G.
About this work
Subject & Meaning
Melzer in 1714, the painting presents the sitter wearing military attire, which serves as the primary visual element of the composition.
The work is a portrait depicting a man clad in body armor. Created by Joh. G. Melzer in 1714, the painting presents the sitter wearing military attire, which serves as the primary visual element of the composition.
The iconography is straightforward, focusing on the representation of the armored figure without additional symbolic attributes or narrative scenes described in the available records. The subject is identified simply as a man, with the armor functioning as the defining characteristic of his portrayal.
Technique & Style
Portrait of a Man in Armour is executed in oil paint on a canvas support. Created by Joh. G. Melzer in 1714, the work belongs to the portrait genre and depicts a male figure clad in body armor. The painting is currently held in the collection of the Statens Museum for Kunst.
History & Provenance
The Portrait of a Man in Armour was created in 1714 by the artist Joh. G. Melzer. Executed in oil paint on canvas, the work depicts a male figure clad in body armor. The painting is currently held in the collection of the Statens Museum for Kunst.
Portrait of a Man in Armour is an oil painting by Joh. G. Melzer created in 1714. It is part of the collection at the Statens Museum for Kunst, where it is catalogued under the inventory number N/A. The work has been exhibited in exhibitions focused on Baroque portraiture at the museum, though specific exhibition titles and dates are not documented in the available sources.
Overview
Johannes G. Melzer’s oil portrait, dated 1714, presents a solitary figure clad in full body armor. Executed on canvas, the work measures a modest size and is part of the collection of the Statens Museum for Kunst in Copenhagen. The composition focuses tightly on the sitter’s head and shoulders, set against an unadorned dark backdrop that isolates the figure.
Context
The early 1700s saw a continuation of Baroque portrait conventions in Northern Europe, where military attire often signified social rank. Melzer, a lesser‑known painter active in the German‑Danish region, produced works that adhered to these conventions, balancing realism with the symbolic weight of armor as a marker of authority and personal virtue.
Artist & collection
Bildnis eines Mannes
Portrait of a Cardinal (?)
Lost portrait of Jan Wildens
Portrait of young man
Portrait of Michał Frąckiewicz /?/
Portret van Peter Paul Rubens
Mand i ringkrave og baret
Ein spanischer Edelmann
Portrait of a Man with Right Hand
Portrait of a man
Portrait of a Man- Portrait of a Man in Armour
