Artwork
The Immaculate Conception
The Immaculate Conception is an oil painting by the Early Baroque Italian artist José Antolínez. It dates from 1665 and is held in the collection of the Museo del Prado.
About this work
Subject & Meaning
The composition treats the subject as the main focus, presenting Mary as the principal figure of veneration.
The painting depicts the Immaculate Conception of Mary, a central Marian doctrine in Catholic theology holding that the Virgin was conceived without original sin. As a religious work by the Spanish Baroque painter José Antolínez, dated 1665, it belongs to a devotional tradition that was especially prominent in Spain, where the Immaculist controversy shaped much seventeenth-century religious art.
The composition treats the subject as the main focus, presenting Mary as the principal figure of veneration. The work is held in the collection of the Museo del Prado, an institution whose holdings reflect the Spanish Crown's longstanding patronage of Marian imagery and its official support for the doctrine of the Immaculate Conception.
Through its subject matter, the painting functions as a visual statement of Catholic belief, intended for devotional contemplation and the affirmation of Mary's singular spiritual status within the Christian tradition.
Technique & Style
José Antolínez executed The Immaculate Conception in 1665 using oil paint applied to a canvas support. The work measures 165 cm in height and 110 cm in width. Classified as a religious painting, the piece depicts the Immaculate Conception of Mary.
It is currently held in the collection of the Museo del Prado, having previously been associated with the Museo de la Trinidad.
History & Provenance
José Antolínez created The Immaculate Conception in 1665. Executed in oil on canvas, the religious painting measures 165 cm in height and 110 cm in width. The work was historically held in the collection of the Museo de la Trinidad before becoming part of the holdings at the Museo del Prado in Madrid, where it remains located.
The Immaculate Conception is held by the Museo del Prado, where it is listed under inventory number P00968. The work was created by José Antolínez in 1665 using oil on canvas and measures 165 cm by 110 cm. It has been part of the museum’s collection since its acquisition and was featured in the Prado’s 1995 exhibition of Spanish Baroque paintings.
Context
The Immaculate Conception by José Antolínez, painted in 1665, exemplifies the devotional intensity characteristic of Spanish Baroque religious art. Its composition and iconography have been analyzed within the theological and artistic currents of 17th-century Spain, contributing to scholarship on the visual representation of Marian devotion. The work's presence in major institutions such as the Museo del Prado underscores its significance within the broader narrative of Spanish religious painting, reflecting both the devotional practices of the period and the evolution of Antolínez's artistic legacy.
Overview
The Immaculate Conception is a 1665 oil painting by José Antolínez, held at the Museo del Prado. It represents a significant example of the artist's work.
Own this work as a print
Artist & collection
