Artwork
Madonna and Child with Sts. Nicholas and Paul
Madonna and Child with Sts. Nicholas and Paul is a tempera painting by the Byzantine icon painting artist Luca di Tommè. It dates from 1370 and is held in the collection of the Los Angeles County Museum of Art.
About this work
Overview
Created circa 1370 by Luca di Tommè, a Sienese painter active in the late 14th century, this tempera panel presents a devotional grouping of the Virgin and Child flanked by two saints. Executed on wood, the composition follows the ornamental conventions of Siena’s artistic tradition and is now part of the Los Angeles County Museum of Art’s collection.
Subject & Meaning
The arrangement underscores intercessory prayer, inviting viewers to seek the saints’ aid through the Madonna.
The central figure is the Virgin Mary, shown cradling the infant Christ, a standard motif of medieval piety. To her left stands Saint Paul, identifiable by his bishop’s mitre and staff, while Saint Nicholas appears on the right, holding a scroll and a book, attributes that signal his role as patron and miracle‑worker. The arrangement underscores intercessory prayer, inviting viewers to seek the saints’ aid through the Madonna.
Technique & Style
Rendered in egg tempera, the artist applied fine, fast‑drying pigment layers over a gessoed wooden panel, achieving luminous color and precise detail. Gold leaf underlies the figures, creating a radiant backdrop typical of Sienese decorative painting. The palette, deep blue, rich reds, and delicate flesh tones, reflects the influence of earlier masters such as Duccio and Simone Martini, whose elegant lines and ornamental surfaces persist in this work.
History & Provenance
Luca di Tommè worked in Siena from 1356 to 1389, a period when the city’s visual language remained rooted in Byzantine iconography. The panel entered the Los Angeles County Museum of Art in the 20th century, though earlier ownership records are sparse. Its survival on wood attests to careful conservation, allowing contemporary audiences to view a late‑medieval devotional image.
Context
During the late 1300s Siena maintained a distinct artistic identity, favoring graceful figures, intricate patterns, and a luminous gold background. This painting exemplifies that regional style, contrasting with the emerging naturalism of Florentine contemporaries. The inclusion of Saint Nicholas and Saint Paul reflects local devotional preferences, as both saints were widely venerated in the Italian peninsula.
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Artist & collection
Artist
Luca di Tommè (or Luca Thome) (c. 1330–1389) was an Italian painter active between 1356 and 1389 in Siena. He worked in the style established by earlier Sienese painters Duccio, Simone Martini, Pietro Lorenzetti and…
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