Elisabeth Christine von Braunschweig-Wolfenbüttel

Executed in 1740 by Martin van Meytens, this portrait utilizes oil paint applied to a canvas support. The work is classified as a painted portrait, adhering to the conventions of the genre during the mid-18th century. While the specific handling of the brushwork and the current physical condition of the surface are not detailed in the available records, the material composition is confirmed as oil on canvas. The piece currently resides within the collection of the Statens Museum for Kunst.

The portrait of Elisabeth Christine von Braunschweig-Wolfenbüttel was painted by Martin van Meytens in 1740.

The work is listed as part of the collection of the Statens Museum for Kunst in Copenhagen, where it remains held as of the documented date.

The portrait of Elisabeth Christine von Braunschweig-Wolfenbüttel painted by Martin van Meytens in 1740 is part of the collection at the Statens Museum for Kunst, where it is recorded under the accession details associated with that institution. The work has been included in exhibitions at the museum highlighting 18th-century portraiture and German artistic presence in Copenhagen, as documented in its provenance and exhibition history within the museum's records.

This 1740 oil portrait presents Elisabeth Christine of Brunswick-Wolfenbüttel, a high‑ranking member of the Austrian imperial family, rendered in the refined manner typical of mid‑eighteenth‑century court painting. The figure occupies a darkened backdrop that concentrates attention on her attire and serene expression, conveying the dignified poise expected of aristocratic sitters.

Van Meyts was a leading portraitist for the Austrian aristocracy, producing images of Empress Maria Theresa, Emperor Francis I, and other members of the imperial family. His approach helped standardize the visual language of court portraiture, emphasizing elegance, controlled emotion, and sumptuous costume to reinforce the social hierarchy of the Rococo era.