Artwork
Seated Male Figure for "San Francisco"

Seated Male Figure for "San Francisco" is a graphite drawing by the Impressionist artist Charles Meryon. It dates from 1856 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:Not signed. Not dated. "NCISCO" center left composition, graphite, artist's hand. "Study of a detail in the etching / of San Francisco. by C. Meryon / L.D.73." verso, center sheet, graphite, unknown hand.
- Markings
- Marked:"LRJ" verso, black stamped ink, stamped twice, (Lugt 1760b). "National Gallery of Art" verso, black stamped ink, (Lugt 1932d). "BM" ( Bernard MacGeorge collector's stamp) verso, black stamped ink, (Lugt 394).
About this work
Overview
Seated Male Figure for 'San Francisco' is a graphite drawing on wove paper created by Charles Meryon around 1856. Characterized by quick, loose lines and a yellowish paper tint, the work appears sketchy and unfinished, prioritizing shapes and movement over detailed rendering.
Subject & Meaning
The drawing depicts a seated male figure with arms resting on his knees, set against suggested background elements of a chair/bench and possible trees/branches. The subject's contemplative pose may reflect Meryon's tendency to imbue figures with introspective qualities.
Technique & Style
Meryon's distinctive Gothic vision influences the drawing, evident in its dramatic, expressive lines. The emphasis on capturing movement and form over detail aligns with a focus on immediate, direct representation.
History & Provenance
Created circa 1856 by Charles Meryon, a prominent yet lesser-known-in-English-speaking-regions French etcher, this drawing is part of his broader oeuvre characterized by a unique, introspective aesthetic.
Context
While Meryon is renowned in France for his etchings, his work, including this drawing, sits within the broader context of 19th-century French art, notable for its exploration of everyday life and urban themes, as seen in the Realist movement.
Own this work as a print
Artist & collection
Artist
Charles Meryon (sometimes Méryon, 23 November 1821 – 14 February 1868) was a French artist who worked almost entirely in etching, as he had colour blindness.











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