Artwork
Portrait of a young man

Portrait of a young man is an oil painting by the Dutch Golden Age artist Nicolaes Maes. It dates from 1670 and is held in the collection of the Rijksmuseum.
About this work
Technique & Style
Created in 1670, the Portrait of a young man by Nicolaes Maes is executed in oil paint on a panel support. The work measures 36.5 cm in height and 31 cm in width. As a portrait, it depicts a man wearing a cravat, rendered through the artist's characteristic handling of the medium on the rigid panel surface.
History & Provenance
Portrait of a young man was painted in 1670 by Nicolaes Maes in oil on panel. The work depicts a young man wearing a cravat and is held in the collection of the Rijksmuseum, where it is catalogued under inventory number SK-C-5. The painting measures 36.5 cm in height and 31 cm in width. No earlier owners or commission details are recorded in the available sources.
Context
The portrait reflects Maes's mature work as a portraitist, the focus of his later career after the genre and domestic scenes he produced earlier in Dordrecht. Its intimate yet dignified format is characteristic of Dutch Golden Age portrait practice of the period, in which sitters of the merchant and civic classes were rendered with restrained formality.
Overview
Nicolaes Maes, a Dutch artist who studied with Rembrandt, painted this portrait in 1670. Executed in oil on canvas, the work presents a young gentleman in a restrained composition typical of the Dutch Golden Age, and it now belongs to the Rijksmuseum’s collection.
Subject & Meaning
The sitter is shown with curly, reddish‑gold hair, a dark coat and a white lace collar, his red sleeve visible beneath a patterned brown jacket. The inclusion of a cravat and fine lace signals his social standing, while the plain, dark backdrop concentrates attention on his face and shoulders.
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Artist & collection
Artist
Nicolaes Maes (January 1634 – December 1693; buried 24 December 1693) was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life.


















