Artwork

Untitled

Untitled, by Odilon Redon, charcoal, 1892
Untitled, by Odilon Redon, charcoal, 1892

Untitled is a charcoal drawing by the Impressionist artist Odilon Redon. It dates from 1892 and is held in the collection of the Museum of Modern Art.

About this work

Overview

Created circa 1892, this drawing by French Symbolist Odilon Redon combines charcoal and chalk on paper. Executed in his early, monochrome phase, the work exemplifies Redon's interest in atmospheric, imaginative scenes rendered in dark media before his later turn to color.

Subject & Meaning

The composition presents a pale, kneeling figure set in a dim interior, its face rendered faintly and serenely. A subtle halo glows behind the head, while a modest table in the background holds a barely discernible pitcher and cup, suggesting a quiet, contemplative moment.

Technique & Style

Redon employs smudged charcoal lines and chalk shading to soften edges and generate a dreamlike ambience. The use of scumbling, layered, chalky strokes, creates a hazy texture that obscures detail, emphasizing mood over precise representation and reinforcing the work's ethereal quality.

Context

During the 1880s and early 1890s, Redon produced a series of monochromatic drawings known as his "noirs," focusing on charcoal and lithography. This piece belongs to that period, preceding his shift in the mid‑1890s toward pastel and oil paintings that introduced brighter palettes.

Untitled
Untitled, Odilon Redon

Artist & collection

Portrait of Odilon Redon

Artist

Odilon Redon

Odilon Redon (born Bertrand Redon; French: ; 20 April 1840 – 6 July 1916) was a French Symbolist draftsman, printmaker, and painter.

This work is in the public domain (CC0). Image source: Museum of Modern Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Untitled?

Untitled was painted by Odilon Redon in 1892.

Where can I see Untitled?

Untitled is held by Museum of Modern Art.

What movement is Untitled?

Untitled is associated with Impressionism.