Study of a Figure from Behind [recto]
1894
chalk
paper
From the collection of National Gallery of Art
1894
chalk
paper
From the collection of National Gallery of Art
Study of a Figure from Behind [recto] is a 1894 chalk by Charles Sprague Pearce, a Impressionism work, held at National Gallery of Art.
This sketch shows two figures in loose, quick lines. One person kneels, arms outstretched, while the other stands behind them, holding what looks like a tall staff or cross. The paper is tan, and the drawing uses light pencil strokes with some white highlights. The figures look like they’re in a moment of prayer or worship, with the standing figure’s long robes flowing loosely. The sketch feels unfinished, almost like a quick note to remember poses. Next, check out Realism to see how artists used simple, honest scenes like this one.
Charles Sprague Pearce (1851–1914) was an American artist, born in Boston.
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