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The Husbandman

Giovanni Domenico Picchianti

1750

From the collection of Victoria and Albert Museum

18th Century

Dominant colour

The Husbandman is a 1750 by Giovanni Domenico Picchianti, held at Victoria and Albert Museum.

Who painted this?: Giovanni Domenico Picchianti
When & what style?: 1750
Where can I see it?: Victoria and Albert Museum

About this work

This painting depicts a serene scene of a family in a rural setting. The family is situated in the foreground, with a woman holding a baby and a man standing beside her. In the background, a village is visible, surrounded by trees and a mountain range. The artist has used a range of colors to create a sense of depth and atmosphere in the painting. The sky is a soft blue, while the trees and mountains are depicted in shades of green and brown. The family is dressed in simple clothing, with the woman wearing a white dress and the man wearing a hat and a tunic. The painting is a beautiful representation of rural life, and it invites the viewer to reflect on the simple pleasures of country living. If you're interested in learning more about the artist's use of chiaroscuro, look up Picchianti, Giovanni Domenico.

The story of this work

Overview

This print on paper reproduces *The Husbandman*, a work originally attributed to Titian and later associated with the Uffizi Gallery collection of the Grand Duke of Tuscany. Created by Giovanni Domenico Picchianti in 1750, the engraving follows a composition by Francesco Bassano. The image depicts a rural laborer engaged in agricultural work, reflecting themes common in 16th-century Venetian painting.

Read the full account in the museum source.

About the artist

Artist

Giovanni Domenico Picchianti

Giovanni Domenico Picchianti made prints in late 17th to mid-18th-century Italy. His prints show everyday life and sacred scenes: try *The Husbandman*, a quiet farming scene in fine lines, or *Virgin and Child*, a…

See the richer artist page