Who painted Horticulturist?

Horticulturist was painted by Cornelis Ploos van Amstel in 1780.

Where can I see Horticulturist?

Horticulturist is held by National Gallery of Art.

What movement is Horticulturist?

Horticulturist is associated with Romanticism.

Can I buy a print of Horticulturist?

Museum-quality prints of Horticulturist are available made-to-order from Artifact World Gallery.

Artwork

Horticulturist

Cornelis Ploos van Amstel , 1780

Horticulturist is an ink print by the Romanticist artist Cornelis Ploos van Amstel. It dates from 1780 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower right in image: G.V.Eeckhour fe; verso at top in brown ink: Geoffererd aan myne Vriend ! / den Kunst... Heer / Jos. Lublenk dj / PvAmstel / JC / 18 February; verso along bottom in brown ink: Gerbrand...Eekhout del / PLoos van Amstel JC Fecit 1780
Markings: Marked:verso: artist's mark (Eusman 8)

About this work

Overview

Created in 1780 by Cornelis Ploos van Amstel, the work titled Horticulturist is a brown‑toned etching and aquatint executed on laid paper. The print presents a modestly sized gathering of figures engaged in botanical activity, rendered with a warm, monochromatic palette that emphasizes texture and spatial relationships.

Subject & Meaning

A man in a wide‑brimmed hat holds a bundle of leaves, another points attentively at an object, while a woman with a fruit basket watches.

Six individuals are arranged around a table laden with plants, seeds, and gardening implements. A man in a wide‑brimmed hat holds a bundle of leaves, another points attentively at an object, while a woman with a fruit basket watches. The composition suggests a collaborative study of horticulture, highlighting the exchange of knowledge between male and female participants within an orderly, scholarly setting.

Technique & Style

Ploos van Amstel combines precise line etching with aquatint shading to achieve depth and tonal variation. Fine cross‑hatching defines the foliage and fabric folds, while broader aquatint washes produce soft, brown tones that model the figures and background architecture. The use of laid paper adds a subtle texture that enhances the impression of a lived, tactile environment.

History & Provenance

The print originates from the late eighteenth‑century Dutch printmaking tradition, a period when Ploos van Amstel was active as both painter and engraver. While specific ownership records are not documented here, the work reflects the artist’s interest in scientific illustration and the broader Enlightenment fascination with natural history.